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dc.contributor.authorDubin, Adam Davides-ES
dc.contributor.authorSubrahmanyam, Prithvi R.es-ES
dc.date.accessioned2024-12-02T11:59:22Z
dc.date.available2024-12-02T11:59:22Z
dc.date.issued2024-11-27es_ES
dc.identifier.urihttps://doi.org/10.1007/978-981-97-6028-2_8es_ES
dc.identifier.urihttp://hdl.handle.net/11531/96552
dc.descriptionCapítulos en libroses_ES
dc.description.abstract.es-ES
dc.description.abstractThis chapter analyzes the state and non-state actor approaches to limiting artistic expression of Indian films when they offend religious sensitivities. It explores the evolution of restrictions since the Abbas judgment in 1971 and how different phases of censorship between the Central Board of Film Certification (CBFC) and the Indian court system have emboldened the involvement of non-state actors in targeting speech that offends Hindu-nationalist ideology. The chapter draws on international and regional human rights law to demonstrate that the current institutional approach to Indian censorship, often justified on grounds of offending religious sentiment, is unlawful and in violation of human rights.en-GB
dc.format.mimetypeapplication/octet-streames_ES
dc.language.isoen-GBes_ES
dc.publisherSpringer Verlag (Lóndres, Reino Unido)es_ES
dc.rightses_ES
dc.rights.uries_ES
dc.sourceLibro: Indian Cinema and Human Rights: An Intersectional Tale, Página inicial: 133, Página final: 152es_ES
dc.titleFrom State to Non-State Actor Censorship in India: Censoring Films Under the Pretense of Religiones_ES
dc.typeinfo:eu-repo/semantics/bookPartes_ES
dc.description.versioninfo:eu-repo/semantics/publishedVersiones_ES
dc.rights.holderpreguntar autores_ES
dc.rights.accessRightsinfo:eu-repo/semantics/restrictedAccesses_ES
dc.keywords.es-ES
dc.keywordsCensorship Artistic Expression Religious Sensitivities Hindu-Nationalist Ideology Human Rights Lawen-GB


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