Keywords
Cantar de los Cantares; Génesis 1–2; creación; poesía bíblica; amor; deseo; espiritualidad ecológica., Song of Songs; Genesis 1–2; creation; biblical poetry; love; desire; ecological spirituality.
Génesis en el Cantar. Poética en la recreación del mundo
Abstract
El capítulo examina el Cantar de los Cantares como una relectura poética y simbólica del relato de la creación en Génesis 1–2. A través del análisis literario de imágenes como la fuerza del deseo, la mirada, la música del mundo, la plenitud en lo concreto, la verdad de la vida, el tiempo transformado y el jardín, el autor muestra cómo el poema amoroso recrea el mundo desde la experiencia del amor y la corporeidad. Frente a lecturas exclusivamente alegóricas o espirituales, el texto resalta la dimensión estética, sensual y existencial del Cantar, en el que la creación es comprendida como un acto de amor que genera belleza, armonía y plenitud. Asimismo, se subraya la relevancia teológica de esta perspectiva, que aporta una visión integradora de la vida humana y la naturaleza, en diálogo con la tradición bíblica y con las urgencias ecológicas contemporáneas. El capítulo concluye que el Cantar de los Cantares constituye una poética de la recreación del mundo, donde deseo y amor se convierten en fuerzas generadoras de sentido.
The chapter explores the Song of Songs as a poetic and symbolic rereading of the creation narrative in Genesis 1–2. Through the literary analysis of themes such as the force of desire, the gaze, the music of the world, concreteness and fulfillment, the truth of life, transformed time, and the garden, the author shows how the love poem re-creates the world through the experience of love and corporeality. Contrary to purely allegorical or spiritual interpretations, the text emphasizes the aesthetic, sensual, and existential dimension of the Song of Songs, where creation is understood as an act of love that generates beauty, harmony, and fulfillment. The theological relevance of this approach is also highlighted, offering an integrative vision of human life and nature in dialogue with the biblical tradition and contemporary ecological concerns. The chapter concludes that the Song of Songs constitutes a poetics of world re-creation, where desire and love emerge as generative forces of meaning.
The chapter explores the Song of Songs as a poetic and symbolic rereading of the creation narrative in Genesis 1–2. Through the literary analysis of themes such as the force of desire, the gaze, the music of the world, concreteness and fulfillment, the truth of life, transformed time, and the garden, the author shows how the love poem re-creates the world through the experience of love and corporeality. Contrary to purely allegorical or spiritual interpretations, the text emphasizes the aesthetic, sensual, and existential dimension of the Song of Songs, where creation is understood as an act of love that generates beauty, harmony, and fulfillment. The theological relevance of this approach is also highlighted, offering an integrative vision of human life and nature in dialogue with the biblical tradition and contemporary ecological concerns. The chapter concludes that the Song of Songs constitutes a poetics of world re-creation, where desire and love emerge as generative forces of meaning.
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