Please use this identifier to cite or link to this item: http://hdl.handle.net/11531/87391
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dc.contributor.authorWalsh, Andrew Samueles-ES
dc.date.accessioned2024-02-28T10:04:19Z-
dc.date.available2024-02-28T10:04:19Z-
dc.date.issued2023-12-20es_ES
dc.identifier.issn1475-3820es_ES
dc.identifier.urihttps://doi.org/10.1080/14753820.2023.2274161es_ES
dc.descriptionArtículos en revistases_ES
dc.description.abstract.es-ES
dc.description.abstractThis article analyses Lorca’s different representations of New York from three different perspectives. It first compares and contrasts the version of his experiences in New York that he presents to his family and friends in his letters, the notoriously apocalyptic vision projected in the verses of Poeta en Nueva York and the stylized representation of his American experience that he portrayed in his conference-recital. A close reading of all three parallel texts reveals quite significant differences between them in terms of the way Lorca presents both himself and the city.en-GB
dc.format.mimetypeapplication/pdfes_ES
dc.language.isoes-ESes_ES
dc.rightses_ES
dc.rights.uries_ES
dc.sourceRevista: Bulletin of Spanish Studies, Periodo: 1, Volumen: Online first, Número: Online first, Página inicial: en línea, Página final: en lineaes_ES
dc.subject.otherInterculturalidad y Traductología (INTRA)es_ES
dc.titleFable and Round of the Three Cities: Lorca’s Divergent Visions of New Yorkes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.description.versioninfo:eu-repo/semantics/publishedVersiones_ES
dc.rights.holderembargo de 18 meseses_ES
dc.rights.accessRightsinfo:eu-repo/semantics/embargoedAccesses_ES
dc.keywords.es-ES
dc.keywordsFederico García LorcaPoeta en Nueva YorkConference-recitalCorrespondenceRepresentations of New YorkTwentieth-century Spanish poetryen-GB
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